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Archive for February, 2008

The Candy Gram: Cherry Bomb

By Kelly DiNardo ⋅ February 29, 2008 ⋅ Post a comment

In our ongoing Q&A series –”The Candy Gram”– we ask the same quirky questions of burlesque’s various performers. If you want to be added to the mix, drop us a line at kellydinardo AT gmail DOT com. Today, say hello to Cherry Bomb.
What is your hometown?
Right now, Brooklyn, but I am a Southern girl by […]

And I Love Margaret Just a Little Bit More, Again

By Jo Boobs ⋅ February 29, 2008 ⋅ Post a comment

‘Along with her identity as an Asian-America, Cho has struggled with her identity as a woman, particularly her personal struggles with eating disorders. As a young woman growing up in her family, Cho was susceptible to sexist messages that told her she had to be “small, petite, and skinny” to be beautiful. As a result, […]

Blonde Ambition

By Kelly DiNardo ⋅ February 28, 2008 ⋅ Post a comment

I’ve thought about Lindsay Lohan’s buzzed photo spread in New York magazine far too much this week. And not in the good, titillating kind of way. I kept wondering, is there some connection to be made in the idea that Marilyn Monroe mimicked Lili St. Cyr and Li Lo mimicked Marilyn? Clearly, the fumes from […]

The Candy Gram: Millie Dollar

By Kelly DiNardo ⋅ February 22, 2008 ⋅ Post a comment

In our ongoing Q&A series –”The Candy Gram”– we ask the same quirky questions of burlesque’s various performers. If you want to be added to the mix, drop us a line at kellydinardo AT gmail DOT com. Today, say hello to Millie Dollar.
What is your hometown?
Liverpool, England
How long have you been interested in burlesque/performing?
As long […]

The Nin Diaries

By Kelly DiNardo ⋅ February 21, 2008 ⋅ Post a comment

Listening to Garrison Keillor’s The Writer’s Almanac this morning, I learned today is the birthday of erotic writer and diarist Anaïs Nin. As Keillor said, “she is best known for her diaries, which she began writing at age 11 and continued for more than 60 years - and which include accounts of her passionate love […]

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